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EA - MaWellie
DARK APRIL!

AQUMN Nr. 006

 EP Review: Dark April  EA & MaWellie

Dark April marks the debut of EA & MaWellie, blending Electro-Pop, Synth-Wave, and New Wave into an emotionally charged, accessible sound. The EP moves effortlessly between atmospheric tracks and danceable club arrangements, balancing melancholy with catchy, radio-ready melodies while exploring themes of loss, trauma, and inner conflict.

The title track, Dark April, is carried by the expressive female vocals of grinsktze, serving as the emotional centerpiece of the release. Chrome in the Dark and other tracks featureing A.N.L VLKN a Kollektive from Berlin, while City Walker stands out as a purely instrumental piece, highlighting hypnotic, atmospheric textures. Glas Klar combines hallucinatory soundscapes with classic synth textures, modern Electro-House elements, Acid lines, and TB-303/TR-808 sounds to convey inner turmoil and fractured perception.

Technically polished, stylistically versatile, and both introspective and danceable, Dark April strikes a compelling balance between pop accessibility and emotional depth—serving as a strong debut for EA & MaWellie, with a subtle musical tribute to M. K. alias Samui.

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Marco Wellisch
The Magic Cabaret!

AQUMN Nr. 005

Marco Wellisch The Magic Cabaret!

The Magic Cabaret! is less a traditional album and more a window into Marco Wellisch’s inner world. Rather than following a linear story, it presents a selection of tracks from the past ten years—pieces that have stayed close to him and shaped his artistic identity. This is not a random compilation, but a carefully chosen, deeply personal cross-section of his sonic universe.

Shifting between techno, minimal, and downbeat, the release exists far from standard club formulas. There are moments where the beat almost vanishes, letting textures, atmospheres, and subtle details take the lead. It is techno—but not driven by impact. Instead, it drifts, evolves, and breathes. Ambient elements merge with minimal-progressive ideas without ever settling into a fixed structure.

What makes the record particularly compelling is its lack of a clear narrative. Some tracks feel like fleeting sketches, others like fully realized statements. This contrast creates a unique tension—focused not on functionality, but on mood and exploration, including quieter and more unsettling shades.

Wellisch stays true to his artistic voice: distinctive, occasionally challenging, and never entirely predictable. His music does not seek to please—it simply exists on its own terms.

The Magic Cabaret! is not designed for instant gratification. It invites the listener to slow down, to drift, and to engage with its layers. Suspended somewhere between the club and the mind, this release reveals its depth precisely within that space.
 

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EA - YES!

AQUMN Nr. 001

Album Description

This album isn’t just a collection of tracks—it’s a 16-part sonic wave of sound, energy, and chaos. Drum & Bass collides with Post-Techno, Electro pulses with Punk attitude, and breakbeats slice through melodies, while vocals flash like sparks: playful, dark, electrifying.

From hard-hitting moments to floating passages, from aggressive energy to delicate melodies—each track is a storm on its own and part of a bigger, continuous ride. The album carries you, throws you, lets you breathe, then hits you again with raw intensity.

And this is just the beginning. Many more tracks are coming, including co-productions with A.N.L.VLKN, Grinsktz, MC Illtis, and other surprises. The wave grows, the universe keeps exploding.
 

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Title: YES!
Genre: Electronic
Subgenre: Drum & Bass
Main Artist: EA
Catalog Number: LR-3075775
UPC: 991043289616
Label: AQUMN Records
© Master Recording: AQUMN 2026

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MarsMadeMan – Land After Tomorrow

Title: Land After Tomorrow
Genre: Electronica
Subgenre: Electronica Downtempo
Main Artist: MarsMadeMan
Catalog Number: LR-3080321
UPC: 991043335078
Label: AQUMN Records
© Master Recording: AQUMN 2026

/// SOON!”

MarsMadeMan-
Land After Tomorrow

AQUMN Nr. 002

Album Review: MarsMadeMan – Land After Tomorrow

Land After Tomorrow is a meditative journey through sonic landscapes that oscillate between introspective calm and subtle electronic momentum. MarsMadeMan crafts an atmosphere where time and space seem to dissolve: warm synth textures, gentle beats, and drifting layers create a harmonious soundscape that soothes while inviting reflection.

The album feels like an exploration of both inner and outer worlds—a quiet dialogue between human emotion and technological sound, between the present and the future. Despite its electronic foundation, it never loses its emotional resonance: each element is carefully balanced to evoke a sense of melancholy, hope, and subtle euphoria.

Land After Tomorrow encourages the listener to lean back and immerse themselves in soundscapes that feel simultaneously familiar and otherworldly. It’s a work that doesn’t shout, but quietly convinces, caressing the senses while sparking contemplation. For fans of downtempo and electronica, this album offers a compact yet emotionally rich experience—an example of how electronic music can dream in the present.

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EA -

TV IS THE NEW GOD-

AQUMN Nr. 003

OUT NOW…
EA – TV IS THE NEW GOD
AQUMN No. 003

Review: EA – TV is The New God

TV is The New God feels less like an album and more like a fragmented film – glitchy, reflective, and constantly shifting. EA moves between atmospheric downtempo and raw drum & bass, creating a tension between introspection and forward drive.

Tracks like “Dust and Memories” and “Do Ya Luve Me” drift in a nostalgic haze, while “Dogs Should Not Cry” and “And The Beats Going On” inject restless energy. Nothing feels over-polished – more like deliberately sketched ideas than finished statements.

Conceptually, the album revolves around media as a controlling force, with titles like “The Program” and “NOW” hinting at a larger, underlying narrative.

Conclusion:
A dense, experimental collage that balances emotion, critique, and rhythm. Not linear, not immediately accessible – but compelling when given space to unfold.

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Titel: Funk Machine
Genre: Dance
Subgenre: FunkSoulDisco
Hauptinterpret: SIMN
© Eigentümer der Komposition: SIMN
© Jahr der Komposition: 2026
© Eigentümer der Master-Aufnahme: Aqumn Records
© Jahr der Aufnahme: 2026
Label: AQUMN RECORDS

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SIMN -

FUNK MACHINE-

AQUMN Nr. 004

Review: SIMN – Funk Machine

Funk Machine unfolds like a personal time journey—an archive of grooves, ideas, and influences gathered over years and reshaped into a continuous, flowing experience. SIMN moves freely between funk, disco, and house, with touches of tech house, not as separate genres but as connected states of rhythm.

At its core, the record is driven by feel rather than concept. Basslines carry the narrative, loops evolve patiently, and transitions feel organic, almost instinctive. There’s a clear oldschool spirit throughout—warm, slightly rough, and unpolished in a way that adds character instead of distraction.

What makes the album stand out is its sense of continuity. It doesn’t aim for standout moments as much as it builds a steady motion, like a long night where styles blur and time softens. You can hear the influence of years spent collecting, listening, and absorbing sound—not as nostalgia alone, but as a lived process.

Conclusion:
A groove-centered retrospective that transforms memory into movement. Honest, fluid, and rooted in rhythm, Funk Machine is less about reinvention and more about preserving and reanimating what made these sounds timeless.

/// SOON!”

MaWellie -

INSIDES!

AQUMN Nr. 008

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